The Cannes Film Festival witnessed a historic moment yesterday with the world premiere of “The Village Next to Paradise,” a film that not only brought the scenic beauty of Somalia to the big screen but also showcased the extraordinary talent of Egyptian cinematographer Mostafa El Kashef. Directed by Austrian-Somali filmmaker Mo Harawe, this intimate family drama is the first film entirely shot in Somalia to be featured at Cannes, competing in the prestigious Un Certain Regard section.

Mostafa El Kashef’s work on “The Village Next to Paradise” has been nothing short of remarkable. Known for his keen visual literacy and ability to craft stunning compositions, El Kashef has brought a unique and captivating perspective to this film. His lens captures the essence of a windswept Somali fishing village, beautifully portraying the struggles and hopes of a single father striving to provide a better life for his son.

Critics from top publications like Deadline, Screen Daily, and Variety have unanimously praised El Kashef’s cinematography. They have highlighted his exceptional framing and composition, which not only enhance the narrative but also elevate the film’s emotional impact. The visual storytelling in “The Village Next to Paradise” is a testament to El Kashef’s mastery of his craft, making every frame a piece of art.

With this groundbreaking film, Mostafa El Kashef has not only etched his name in the annals of Cannes history but also paved the way for future collaborations that celebrate and elevate diverse voices in cinema. “The Village Next to Paradise” is more than a film; it is a visual journey crafted by a cinematographer whose work continues to inspire and captivate audiences worldwide.